"Ebony Concerto: III. Moderato - Con moto" by Igor Stravinsky, Benny Goodman had its release date on 1948. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 148 in the song's album "The Original Jacket Collection: Stravinsky Conducts Stravinsky - The Classic LP Recordings". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Ebony Concerto: III. Moderato - Con moto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ebony Concerto: III. Moderato - Con moto by Igor Stravinsky, Benny Goodman having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 2 | 3B | 136 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Symphonie "Mathis der Maler": 1. Engelkonzert | Paul Hindemith, Boston Symphony Orchestra, William Steinberg | G Major | 2 | 9B | 106 BPM | ||
La mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 80 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Les Noces, Deuxième partie, Quatrième tableau: Le repas de noces | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | G Major | 0 | 9B | 127 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |