"Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts" by Charles Ives, Marc-André Hamelin was released on January 1, 1989. Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 6 out of 7 in Charles: Ives: "Concord" Sonata/Maurice Wright: Sonata by Marc-André Hamelin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts by Charles Ives, Marc-André Hamelin is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Set No. 1 for Chamber Orchestra: II. A Lecture (Tolerance) | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 1 | 6B | 96 BPM | ||
Allegro barbaro, BB 63 | Béla Bartók, Martin Kasík | B Minor | 2 | 10A | 98 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Pavane variée: Var. 5. Marziale, molto scandito | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
3 Preludes: II. Andante con moto e poco rubato | George Gershwin, Jon Nakamatsu | F♯ Major | 0 | 2B | 72 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
Gigue in G Major, K. 574 | Wolfgang Amadeus Mozart, Marc-André Hamelin | A Major | 0 | 11B | 130 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
3 Klavierstucke, Op. 11: No. 1. Massig | Arnold Schoenberg, Karim Said | A Major | 0 | 11B | 127 BPM |
Section: 0.8268659114837646
End: 0.831890344619751