- BPM
- 80
- Key
- D♭ Major
- Camelot
- 3B
La mer, L. 109: III. Dialogue du vent et de la mer - Claude Debussy, Cleveland Orchestra, Pierre Boulez Information
- Acousticness
- 93%
- Danceability
- 9%
- Energy
- 16%
- Instrumentalness
- 88%
- Liveness
- 6%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 13%
- Loudness
- -22.565 dB
Summary
"La mer, L. 109: III. Dialogue du vent et de la mer" by Claude Debussy, Cleveland Orchestra, Pierre Boulez was released on January 1, 1995. Since La mer, L. 109: III. Dialogue du vent et de la mer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Franklin Cohen, The Cleveland Orchestra Chorus, Gareth Morrell. La mer, L. 109: III. Dialogue du vent et de la mer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La mer, L. 109: III. Dialogue du vent et de la mer BPM
The tempo marking of La mer, L. 109: III. Dialogue du vent et de la mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La mer, L. 109: III. Dialogue du vent et de la mer Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | |
 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | |
 | Piano Concerto in D Flat Major: 2. Andante con anima | Aram Khachaturian, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D Minor | 1 | 7A | 115 BPM | |
 | Symphony for Strings in A-Flat, Op. 118a: IV. Allegretto (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 120 BPM | |
 | Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM | |
 | Symphony In 3 Movements: 3. Con Moto | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | C Major | 1 | 8B | 80 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | |
 | Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Pictures at an Exhibition: Promenade | Modest Mussorgsky, Evgeny Kissin | F Major | 2 | 7B | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7408311367034912
End: 0.7496507167816162