"Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso" by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra was released on March 1, 1993. Since Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra's "Lutoslawsky : Concerto for Orchestra & Symphony No.3" album is number 1 out of 13. Based on our statistics, Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso by Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 16 In B Flat, K.570: 1. Allegro | Wolfgang Amadeus Mozart, Daniel Barenboim | B♭ Major | 1 | 6B | 148 BPM | ||
Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | ||
Piano Sonata No. 8 in A minor, K.310: 2. Andante cantabile con espressione | Wolfgang Amadeus Mozart, Daniel Barenboim | B♭ Major | 1 | 6B | 148 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Concert champêtre, FP 49: II. Andante | Francis Poulenc, Anima Eterna, Jos Van Immerseel, Kateřina Chroboková | E♭ Major | 0 | 5B | 114 BPM | ||
La plus que lente, L. 121 | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 69 BPM | ||
Carnaval, Op.9: 5. Eusebius | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
6 Consolations, S. 172: No. 6 in E Major (Allegretto, sempre cantabile) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 72 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Viola Concerto: Vivace - | Krzysztof Penderecki, Grigori Zhislin, Warsaw Philharmonic Orchestra, Antoni Wit | A Minor | 2 | 8A | 90 BPM |
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