Symphonie "Mathis der Maler": 1. Engelkonzert
Paul Hindemith, Boston Symphony Orchestra, William Steinberg
Hindemith: Symphony "Mathis Der Maler"
8:24 January 1, 2007
BPM
106
Key
G Major
Camelot
9B

Embed

Share Link

Symphonie "Mathis der Maler": 1. Engelkonzert - Paul Hindemith, Boston Symphony Orchestra, William Steinberg Information

Acousticness
93%
Danceability
26%
Energy
16%
Instrumentalness
93%
Liveness
10%
Loudness
71%
Speechiness
4%
Valence
6%
Popularity
Loudness
-17.493 dB

Summary

"Symphonie "Mathis der Maler": 1. Engelkonzert" by Paul Hindemith, Boston Symphony Orchestra, William Steinberg was released on January 1, 2007. Since Symphonie "Mathis der Maler": 1. Engelkonzert is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Daniel Benyamini, Paris Conservatoire Orchestra, Boston Symphony Orchestra, William Steinberg, Daniel Barenboim's "Hindemith: Symphony "Mathis Der Maler"" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphonie "Mathis der Maler": 1. Engelkonzert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphonie "Mathis der Maler": 1. Engelkonzert BPM

We consider the tempo marking of Symphonie "Mathis der Maler": 1. Engelkonzert by Paul Hindemith, Boston Symphony Orchestra, William Steinberg to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Symphonie "Mathis der Maler": 1. Engelkonzert Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Swan Lake, Op.20, TH.12 / Act 3: Pas de six: Var. III (Moderato) und Var.IV (Allegro) by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji OzawaSwan Lake, Op.20, TH.12 / Act 3: Pas de six: Var. III (Moderato) und Var.IV (Allegro)Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji OzawaC Major48B75 BPM
Schubert - String Quartet No.12 in C minor, D703: Quartettsatz by Franz Schubert, Borodin QuartetSchubert - String Quartet No.12 in C minor, D703: QuartettsatzFranz Schubert, Borodin QuartetA♭ Major14B106 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: III. Allegro, ma non tantoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major210B112 BPM
Hindemith: Kammermusik No. 1 for 12 Solo Instruments, Op. 24 No. 1: IV. Finale 1921 (Lebhaft) by Paul Hindemith, Claudio Abbado, Berliner PhilharmonikerHindemith: Kammermusik No. 1 for 12 Solo Instruments, Op. 24 No. 1: IV. Finale 1921 (Lebhaft)Paul Hindemith, Claudio Abbado, Berliner PhilharmonikerE Minor29A178 BPM
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime by Maurice Ravel, Cleveland Orchestra, Pierre BoulezValses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intimeMaurice Ravel, Cleveland Orchestra, Pierre BoulezA♭ Minor01A76 BPM
Chamber Symphony in C Minor, Op. 110a: II. Allegro molto - attacca (Orch. Barshai) by Dmitri Shostakovich, Boston Symphony Orchestra, Andris NelsonsChamber Symphony in C Minor, Op. 110a: II. Allegro molto - attacca (Orch. Barshai)Dmitri Shostakovich, Boston Symphony Orchestra, Andris NelsonsA♭ Major44B119 BPM
Le Carnaval des Animaux, R. 125: VIII. Personages with Long Ears by Camille Saint-Saëns, Seiji Ozawa, Boston Symphony OrchestraLe Carnaval des Animaux, R. 125: VIII. Personages with Long EarsCamille Saint-Saëns, Seiji Ozawa, Boston Symphony OrchestraD Minor07A81 BPM
Piano Concerto in C Major, Op. 39: IV. All Italiana. Tarantella - Live by Ferruccio Busoni, Kirill Gerstein, Boston Symphony Orchestra, Sakari OramoPiano Concerto in C Major, Op. 39: IV. All Italiana. Tarantella - LiveFerruccio Busoni, Kirill Gerstein, Boston Symphony Orchestra, Sakari OramoE Minor19A176 BPM
Theme From Schindler's List by John Williams, Itzhak Perlman, Boston Symphony OrchestraTheme From Schindler's ListJohn Williams, Itzhak Perlman, Boston Symphony OrchestraD Minor17A99 BPM
Stabat Mater, FP 148: 3. O quam tristis by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverStabat Mater, FP 148: 3. O quam tristisFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverF♯ Major02B111 BPM
ISRC
DEF057102131
Label
L-M Records/RCA Records

Section: 0.7398874759674072

End: 0.7444539070129395