"Symphonie "Mathis der Maler": 1. Engelkonzert" by Paul Hindemith, Boston Symphony Orchestra, William Steinberg was released on January 1, 2007. Since Symphonie "Mathis der Maler": 1. Engelkonzert is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Daniel Benyamini, Paris Conservatoire Orchestra, Boston Symphony Orchestra, William Steinberg, Daniel Barenboim's "Hindemith: Symphony "Mathis Der Maler"" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphonie "Mathis der Maler": 1. Engelkonzert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie "Mathis der Maler": 1. Engelkonzert by Paul Hindemith, Boston Symphony Orchestra, William Steinberg to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op.20, TH.12 / Act 3: Pas de six: Var. III (Moderato) und Var.IV (Allegro) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | C Major | 4 | 8B | 75 BPM | ||
Schubert - String Quartet No.12 in C minor, D703: Quartettsatz | Franz Schubert, Borodin Quartet | A♭ Major | 1 | 4B | 106 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Hindemith: Kammermusik No. 1 for 12 Solo Instruments, Op. 24 No. 1: IV. Finale 1921 (Lebhaft) | Paul Hindemith, Claudio Abbado, Berliner Philharmoniker | E Minor | 2 | 9A | 178 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Chamber Symphony in C Minor, Op. 110a: II. Allegro molto - attacca (Orch. Barshai) | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A♭ Major | 4 | 4B | 119 BPM | ||
Le Carnaval des Animaux, R. 125: VIII. Personages with Long Ears | Camille Saint-Saëns, Seiji Ozawa, Boston Symphony Orchestra | D Minor | 0 | 7A | 81 BPM | ||
Piano Concerto in C Major, Op. 39: IV. All Italiana. Tarantella - Live | Ferruccio Busoni, Kirill Gerstein, Boston Symphony Orchestra, Sakari Oramo | E Minor | 1 | 9A | 176 BPM | ||
Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
Stabat Mater, FP 148: 3. O quam tristis | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F♯ Major | 0 | 2B | 111 BPM |
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