"Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. With Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #14. Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Liebestraum No.2 in E Flat Major, S.541 No.2 - nach einem Gedicht von Ludwig Uhland: Notturno II: Seliger Tod | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 136 BPM | ||
L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Gurrelieder, Pt. 3: No. 19, Der Hahn erhebt den Kopf (Waldemar's Men) | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan Rozehnal | A♭ Major | 0 | 4B | 109 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
A Symphony - New England Holidays: II. Decoration Day | Charles Ives, Michael Tilson Thomas, Chicago Symphony Orchestra | F♯ Minor | 0 | 11A | 119 BPM | ||
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
Moses und Aron / Act II: O Götterbild, du strahlst (Eine Kranke, Bettlerinnen, Bettler, Greise, die Ältesten) | Arnold Schoenberg, Yvonne Naef, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM |
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