"Piano Concerto No. 1, Op. 45: II. Andante (ma rubato)" by Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu was released on February 15, 1999. Since Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rautavaara: Cantus Arcticus / Piano Concerto No. 1 / Symphony No. 3". In this album, this song's track order is #5. In terms of popularity, Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) by Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
Violin Concerto: III. Allegro vivace | Aram Khachaturian, Rachel Barton Pine, Teddy Abrams, Royal Scottish National Orchestra | D Major | 3 | 10B | 169 BPM | ||
Turangalîla Symphonie: 7. Turangalîla 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Minor | 1 | 7A | 84 BPM | ||
Fountains Of Rome, P. 106: 1. The Valle Giulia Fountain At Daybreak | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 63 BPM | ||
The English Patient - From "The English Patient" | Lynda Cochrane, John Debney, Royal Scottish National Orchestra | G Major | 8 | 9B | 46 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM |
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