"L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei" by Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez was released on 1993. With L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ストラヴィンスキー:バレエ《火の鳥》、バレエ《ペトルーシュカ》, so we believe that "L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei" is a single. L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei by Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Danse sacrée et danse profane, L. 103: I. Danse sacrée | Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez | E Minor | 2 | 9A | 73 BPM | ||
En blanc et noir (arr. R. Holloway for orchestra): III. Scherzando | Claude Debussy, Robin Holloway, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 74 BPM | ||
Kammermusik No. 1, Op.24 No.1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | D Minor | 1 | 7A | 176 BPM | ||
Pictures At An Exhibition: The Great Gate Of Kiev | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | ||
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | ||
Pictures At An Exhibition: Bydlo | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A Major | 0 | 11B | 101 BPM |
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