"Danse sacrée et danse profane, L. 103: I. Danse sacrée" by Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez was released on October 3, 2020. With this song being about 5 minutes long, at 5:08, "Danse sacrée et danse profane, L. 103: I. Danse sacrée" by Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claude Debussy's "Magnificent Debussy" album is number 106 out of 109. On top of that, Germany appears to be the country where this track was created. Danse sacrée et danse profane, L. 103: I. Danse sacrée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danse sacrée et danse profane, L. 103: I. Danse sacrée by Claude Debussy, Lisa Wellbaum, Cleveland Orchestra, Pierre Boulez to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
Flower Duet | Léo Delibes, Richard Kapp | C Major | 0 | 8B | 72 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Dawn - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 79 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 85 BPM | ||
Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin (Arr. Garrett / van der Heijden for Violin, Flute and Orchestra) | Claude Debussy, David Garrett, Cocomi, Franck van der Heijden, Orchestra the Prezent | G Major | 3 | 9B | 99 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |
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