"13 Preludes, Op. 32: No. 5 in G Major. Moderato" by Sergei Rachmaninoff, Idil Biret was released on May 17, 1991. The duration of 13 Preludes, Op. 32: No. 5 in G Major. Moderato is about 3 minutes long, at 3:13. Based on our data, "13 Preludes, Op. 32: No. 5 in G Major. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rachmaninov: 13 Preludes, Op. 32 / Liebesleid and Liebesfreud". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 13 Preludes, Op. 32: No. 5 in G Major. Moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 13 Preludes, Op. 32: No. 5 in G Major. Moderato by Sergei Rachmaninoff, Idil Biret having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | B Minor | 1 | 10A | 106 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM |
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