"Morceaux de Fantaisie, Op. 3: 1. Elégie" by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason was released on August 1, 2017. With this song being about 5 minutes long, at 5:17, "Morceaux de Fantaisie, Op. 3: 1. Elégie" by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Rachmaninov: Morceaux de Fantaisie, Op.3, No.1: Elégie only contains only one song in the album, we like to consider this song as a single. Morceaux de Fantaisie, Op. 3: 1. Elégie is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morceaux de Fantaisie, Op. 3: 1. Elégie by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | E Minor | 2 | 9A | 100 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Debussy: Children's Corner, CD 119 - VI. Cakewalk | Claude Debussy, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 106 BPM |
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