"Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)" by George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier was released on September 1, 2006. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in Bach, J.S. / Purcell / Handel: Stokowski Transcriptions by Leopold Stokowski, José Serebrier. In terms of popularity, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) is currently fairly popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) by George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Four Seasons Winter Variation (After Violin Concerto in F Minor, Op. 8, No. 4, RV 297, III. Allegro-Lento) | Antonio Vivaldi, Martin Stadtfeld | F Minor | 1 | 4A | 117 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
L'allegro, il Penseroso ed il Moderato, HWV 55, Part I: L'allegro: 23. Arie l'allegro: Let Me Wander, Not Unseen (Tenor) | George Frideric Handel, Charles Jennens, Charles Daniels, Chor & Orchester der J.S. Bach-Stiftung, Rudolf Lutz | D♭ Minor | 1 | 12A | 77 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Handel: Water Music Suite No. 3, HWV 350: Sarabande | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 175 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM |
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