"Le Tic-Toc-Choc" by François Couperin, Sarah O'Brien was released on August 5, 2022. The duration of Le Tic-Toc-Choc is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Le Tic-Toc-Choc's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sarah O'Brien's "Impromptu" album is number 2 out of 22. On top of that, Germany appears to be the country where this track was created. Le Tic-Toc-Choc is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Tic-Toc-Choc by François Couperin, Sarah O'Brien to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Amit Peled, Eliza Ching | B♭ Major | 0 | 6B | 79 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Le grand cahier: V. La servante et l'ordonnance | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | A Major | 1 | 11B | 95 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Rodrigo: Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Major | 2 | 9B | 125 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM |
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