"Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello)" by Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson was released on September 20, 2019. With this song being about 5 minutes long, at 5:14, "Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello)" by Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi by Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson. The song's track number on the album is #17 out of 17 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) by Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Stabat Mater, R.621: 1. "Stabat Mater" (Largo) | Antonio Vivaldi, Jochen Kowalski, John Constable, Concertgebouw Chamber Orchestra, Vittorio Negri | F Minor | 1 | 4A | 100 BPM | ||
Oboe Concerto in C Major, RV 450: II. Larghetto | Antonio Vivaldi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | F Major | 1 | 7B | 87 BPM | ||
Dances for Harp and Orchestra, L. 103: 2. Danse profane | Lavinia Meijer, Amsterdam Sinfonietta | G Major | 1 | 9B | 142 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM |
Section: 0.7169797420501709
End: 0.7202050685882568