"Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto" by Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux was released on September 1, 1992. Since Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Édouard Lalo, Pierre Amoyal, André Navarra, Charles Münch's "Lalo : Symphonie espagnole & Concerto pour violoncelle" album is number 7 out of 8. On top of that, France appears to be the country where this track was created. Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto by Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Ilya Kaler | C Major | 7 | 8B | 82 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato | Max Bruch, Yehudi Menuhin, Charles Münch | E♭ Major | 3 | 5B | 130 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM |
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