"Capriol Suite: 5. Pied-en- l'air" by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner was released on January 1, 1997. The duration of Capriol Suite: 5. Pied-en- l'air is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Capriol Suite: 5. Pied-en- l'air's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 28 in Fantasia on Greensleeves by Academy of St. Martin in the Fields, Sir Neville Marriner, Edward Elgar, Frederick Delius, George Butterworth, Peter Warlock, Ralph Vaughan Williams. In terms of popularity, Capriol Suite: 5. Pied-en- l'air is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Les baricades mystérieuses - Arranged By Göran Söllscher | François Couperin, Göran Söllscher | B♭ Major | 1 | 6B | 138 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 4 | 12B | 104 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Mozart: Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 92 BPM | ||
English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM |
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