Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett's 'King Arthur, Z. 628, "The British Worthy": Air' came out on January 1, 2000. With King Arthur, Z. 628, "The British Worthy": Air being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Purcell / Handel: Theatre Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Canada. In terms of popularity, King Arthur, Z. 628, "The British Worthy": Air is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Arthur, Z. 628, "The British Worthy": Air by Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM |
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