Louise Farrenc, Consortium Classicum's 'Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace' came out on October 26, 2010. With this song being about 5 minutes long, at 5:07, "Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace" by Louise Farrenc, Consortium Classicum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Farrenc: Nonet - Clarinet Trio by Louise Farrenc, Consortium Classicum. Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace by Louise Farrenc, Consortium Classicum is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nonette Pour Cordes Et Vents en Mi Bémol Majeur: IV. Adagio, Allegro | Louise Farrenc, Vincent Pasquier, Miguel Da Silva, Philippe Bernold, André Cazalet, Guillaume Sutre, François Leleux, Romain Guyot, Gilbert Audin, François Salque | E♭ Major | 1 | 5B | 119 BPM | ||
Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM | ||
Trois chansons, M.69: 2. Trois beaux oiseaux du Paradis | Maurice Ravel, Nicola Jenkin, Susan Gritton, Nicolas Robertson, Julian Clarkson, The Monteverdi Choir, John Eliot Gardiner | F Minor | 0 | 4A | 83 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
30 Piano études, Op. 26: No. 4 in G Major, Allegro moderato | Louise Farrenc, Maria Stratigou | G Major | 4 | 9B | 110 BPM | ||
Symphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). Presto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | D Major | 1 | 10B | 138 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM |
Section: 0.7250349521636963
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