"Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato" by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado was released on January 1, 1985. Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Symphonies Nos.4 "Italian" & 5 "Reformation"" album is number 3 out of 8. Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Major | 5 | 7B | 148 BPM | ||
Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | E Minor | 1 | 9A | 92 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Return to Tatooine | John Williams, London Symphony Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 74 BPM |
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