Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles" available on 1976. The duration of Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #2. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A Major | 2 | 11B | 94 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Arrival of the Guests & Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra | D♭ Major | 1 | 3B | 92 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
Carnival of the Animals: XI. Piano Players | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
Marche Militaire | London Symphony Orchestra | E Minor | 0 | 9A | 118 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM |
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