Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox made "Carmina Burana: I. O Fortuna" available on January 1, 2005. The duration of Carmina Burana: I. O Fortuna is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Carmina Burana: I. O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Carmina Burana: I. O Fortuna's popularity is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana: I. O Fortuna by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 73 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
War Requiem, Op. 66: ix. Dies Irae - Recordare Iesu pie | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 0 | 9B | 130 BPM | ||
Sinfonia da Requiem, Op. 20: III. Requiem aeternam. Andante molto tranquillo | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Masquerade: Waltz | Aram Khachaturian, London Symphony Orchestra, Yuri Ahronovitch | C Major | 3 | 8B | 95 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 137 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM |
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