"Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro" by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis was released on March 3, 2003. Since Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 4 in Dvořák: Symphony No. 7 by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | A Minor | 0 | 8A | 174 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 2 | 1A | 110 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM |
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