Robert Schumann, Martha Argerich's 'Kinderszenen, Op.15: 5. Glückes genug' came out on January 1, 1984. With Kinderszenen, Op.15: 5. Glückes genug being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Schumann: Kinderszenen; Kreisleriana". In this album, this song's track order is #5. Kinderszenen, Op.15: 5. Glückes genug is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen, Op.15: 5. Glückes genug by Robert Schumann, Martha Argerich having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Beethoven: Triple Concerto for Violin, Cello and Piano in C Major, Op. 56: II. Largo (Live) | Ludwig van Beethoven, Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky | A♭ Major | 0 | 4B | 96 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Partita No. 2 in C Minor, BWV 826: 2. Allemande | Johann Sebastian Bach, Martha Argerich | C Minor | 1 | 5A | 122 BPM | ||
The Tale of the Stone Flower, Ballet in 4 Acts, Op. 118 - Arranged for Cello and Piano by G.Piatigorsky and S. Knushevitsky: Waltz - Live | Sergei Prokofiev, Martha Argerich, Mischa Maisky | B Minor | 0 | 10A | 113 BPM | ||
Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Vladimir Horowitz | C Major | 0 | 8B | 94 BPM |
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