"Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace" by Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra was released on January 1, 1973. Since Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Itzhak Perlman, André Previn, London Symphony Orchestra's "Mendelssohn & Bruch: Violin Concertos" album is number 3 out of 6. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace by Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Robert Schumann, London Symphony Orchestra, Maria João Pires, John Eliot Gardiner | A Major | 0 | 11B | 77 BPM | ||
Symphonie espagnole, Op. 21: III. Intermezzo - Allegro non troppo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 94 BPM | ||
Remembrances | John Williams, Itzhak Perlman, Boston Symphony Orchestra | G Minor | 1 | 6A | 109 BPM | ||
Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Finale. Allegro giusto | Franz Schubert, Emanuel Ax | E Major | 0 | 12B | 125 BPM |
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