"Piano Concerto in A minor, Op. 16: II. Adagio" by Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1982. Since Piano Concerto in A minor, Op. 16: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Schumann / Grieg: Piano Concertos". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Piano Concerto in A minor, Op. 16: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in A minor, Op. 16: II. Adagio by Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.7 In E Major - Ed. Haas: 2. Adagio. Sehr feierlich und sehr langsam | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 85 BPM | ||
Sigurd Jorsalfar, three Orchestral pieces Op.56: 2. Intermezzo: Borghild's Dream (Op.22 No.2) | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | G Major | 0 | 9B | 57 BPM | ||
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 128 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | ||
Piano Concerto No.1 in C major, Op.15: 3. Rondo (Allegro scherzando) | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | C Major | 2 | 8B | 144 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM |
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