"Return to Tatooine" by John Williams, London Symphony Orchestra was released on April 23, 2002. Since Return to Tatooine is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Star Wars: Attack of the Clones (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Return to Tatooine is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Return to Tatooine by John Williams, London Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade (Suite): 1. Waltz - Excerpt | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 67 BPM | ||
The Good Guy | John Powell | D Minor | 1 | 7A | 67 BPM | ||
Band Of Brothers Suite One - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 3 | 10B | 92 BPM | ||
The Baby | Ludwig Goransson | C Major | 1 | 8B | 83 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
The Brightest Star in the North | Geoff Zanelli | D Minor | 3 | 7A | 123 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 87 BPM | ||
Foot Chase | Trevor Rabin | A Major | 8 | 11B | 132 BPM | ||
Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
Will And Elizabeth | Klaus Badelt | D Major | 7 | 10B | 180 BPM |
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