Return to Tatooine - John Williams, London Symphony Orchestra Information

Acousticness
87%
Danceability
8%
Energy
5%
Instrumentalness
94%
Liveness
10%
Loudness
56%
Speechiness
4%
Valence
4%
Popularity
Loudness
-26.518 dB

Summary

"Return to Tatooine" by John Williams, London Symphony Orchestra was released on April 23, 2002. Since Return to Tatooine is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Star Wars: Attack of the Clones (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Return to Tatooine is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Return to Tatooine BPM

With Return to Tatooine by John Williams, London Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Return to Tatooine Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
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The Good Guy by John PowellThe Good GuyJohn PowellD Minor17A67 BPM
Band Of Brothers Suite One - Instrumental by Michael Kamen, London Metropolitan OrchestraBand Of Brothers Suite One - InstrumentalMichael Kamen, London Metropolitan OrchestraD Major310B92 BPM
The Baby by Ludwig GoranssonThe BabyLudwig GoranssonC Major18B83 BPM
Clarinet Concerto in A Major, K. 622: II. Adagio by Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony OrchestraClarinet Concerto in A Major, K. 622: II. AdagioWolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony OrchestraG Major29B197 BPM
The Brightest Star in the North by Geoff ZanelliThe Brightest Star in the NorthGeoff ZanelliD Minor37A123 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraTchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. ModeratoPyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraE Minor29A87 BPM
Foot Chase by Trevor RabinFoot ChaseTrevor RabinA Major811B132 BPM
Twilight of the Gods by Mark MothersbaughTwilight of the GodsMark MothersbaughF♯ Major12B143 BPM
Will And Elizabeth by Klaus BadeltWill And ElizabethKlaus BadeltD Major710B180 BPM
ISRC
USWD11785332
Label
L-M Records/RCA Records

Section: 0.5297131538391113

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