Aaron Copland, Leonard Bernstein, New York Philharmonic's 'Appalachian Spring: VII. Doppio movimento' came out on 1960. The duration of Appalachian Spring: VII. Doppio movimento is about 3 minutes long, at 3:03. Based on our data, "Appalachian Spring: VII. Doppio movimento" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring: VII. Doppio movimento is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: VII. Doppio movimento by Aaron Copland, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 67 BPM | ||
Pastorale d'été, H.31 | Arthur Honegger, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 68 BPM |
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