Henry Purcell, Academy of Ancient Music, Christopher Hogwood made "Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune" available on January 1, 1990. The duration of Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Purcell: Theatre Music". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op.7, No.4: IV. Allegro | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 1 | 12A | 175 BPM | ||
Bonduca: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Major | 1 | 1B | 143 BPM | ||
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Purcell: The Tempest, Z. 631, Act III: Song. "Dry Those Eyes" (Ariel) | Henry Purcell, John Eliot Gardiner, Carol Hall, Monteverdi Orchestra | A♭ Minor | 1 | 1A | 141 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in A minor, Op. 6, No. 4: 4. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | A♭ Minor | 2 | 1A | 81 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM |
Section: 0.7602441310882568
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