"Sinfonia in F major, F. 67: IV. Menuetto I-II" by Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen was released on 1994. The duration of Sinfonia in F major, F. 67: IV. Menuetto I-II is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Sinfonia in F major, F. 67: IV. Menuetto I-II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in BACH, W.F.: Orchestral Music - F. 24, 64, 65, 91, 92 (Carl Philipp Emanuel Bach Chamber Orchestra, Haenchen) by Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sinfonia in F major, F. 67: IV. Menuetto I-II's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia in F major, F. 67: IV. Menuetto I-II by Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto No. 1 in D Major, Hob.VIId:3: II. Adagio | Franz Joseph Haydn, Peter Damm, Hartmut Haenchen, Carl Philipp Emanuel Bach Chamber Orchestra | A Major | 1 | 11B | 89 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Suite No. 2 in B minor, BWV 1067: 3. Sarabande | Johann Sebastian Bach, Irena Grafenauer, Kammerorchester "Carl Philipp Emanuel Bach", Peter Schreier | A Major | 0 | 11B | 79 BPM | ||
Sonata No. 6 in G Minor, Op. 13, RV 58, "Il pastor fido": III. Largo | Antonio Vivaldi, Béla Drahos, Pál Kelemen, Zsuzsa Pertis | G Minor | 1 | 6A | 88 BPM | ||
Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM | ||
Violin Concerto in A Minor, RV 523: II. Largo | Antonio Vivaldi, Dmitry Sinkovsky, Riccardo Minasi, Il Pomo D'oro | C Major | 1 | 8B | 109 BPM | ||
Almira Suite, HWV 1: IV. Sarabande | George Frideric Handel, Francesco Corti, Il Pomo D'oro | E Major | 3 | 12B | 200 BPM | ||
Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
Sinfonia in D Major, F. 64: II. Andante | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 0 | 2B | 99 BPM | ||
Concerto Grosso in G Major, Op. 7/3: I. Largo - Allegro | Pietro Locatelli, Thorsten Rosenbusch, Kammerorchester "Carl Phillip Emanuel Bach", Hartmut Haenchen | G Minor | 1 | 6A | 124 BPM |
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