"Dawn - From "Pride & Prejudice" Soundtrack" by Dario Marianelli, Jean-Yves Thibaudet was released on January 1, 2005. The duration of Dawn - From "Pride & Prejudice" Soundtrack is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Dawn - From "Pride & Prejudice" Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pride and Prejudice OST". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Dawn - From "Pride & Prejudice" Soundtrack is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dawn - From "Pride & Prejudice" Soundtrack by Dario Marianelli, Jean-Yves Thibaudet having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Chalkboard | Jóhann Jóhannsson | A Minor | 1 | 8A | 93 BPM | ||
The Departure | Max Richter, Lang Lang | C Minor | 0 | 5A | 0 BPM | ||
Mr. Knightley | Isobel Waller-Bridge, David Schweitzer | G Major | 1 | 9B | 74 BPM | ||
The bioluminescence of the night | James Horner | D♭ Minor | 0 | 12A | 128 BPM | ||
Gnossiennes: No. 5 | Erik Satie, Jean-Yves Thibaudet | G Major | 0 | 9B | 75 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Mid Air | GÅEL | C Major | 0 | 8B | 112 BPM |
Section: 0.5849571228027344
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