"Thaïs: Méditation" by Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero was released on May 14, 2021. With this song being about 5 minutes long, at 5:28, "Thaïs: Méditation" by Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Massenet: Thaïs: Méditation and no other songs are present in the album, we classify this track as a single. Thaïs: Méditation is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thaïs: Méditation by Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thais meditation | Paul Mauriat, Jules Massenet | D Major | 5 | 10B | 61 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Deutsche Kammerphilharmonie Bremen | D Major | 0 | 10B | 135 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM |
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