- BPM
- 134
- Key
- F♯ Major
- Camelot
- 2B
La mer, L. 109: I. De l'aube à midi sur la mer - Claude Debussy, Cleveland Orchestra, Pierre Boulez Information
- Acousticness
- 94%
- Danceability
- 16%
- Energy
- 3%
- Instrumentalness
- 88%
- Liveness
- 8%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 16%
- Loudness
- -28.9 dB
Summary
"La mer, L. 109: I. De l'aube à midi sur la mer" by Claude Debussy, Cleveland Orchestra, Pierre Boulez was released on January 1, 1995. Since La mer, L. 109: I. De l'aube à midi sur la mer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Franklin Cohen, The Cleveland Orchestra Chorus, Gareth Morrell. Based on our statistics, La mer, L. 109: I. De l'aube à midi sur la mer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La mer, L. 109: I. De l'aube à midi sur la mer BPM
The tempo marking of La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
La mer, L. 109: I. De l'aube à midi sur la mer Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | |
 | Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | |
 | Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | C Major | 1 | 8B | 79 BPM | |
 | Appalachian Spring: V. Subito allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 92 BPM | |
 | Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Minor | 0 | 6A | 83 BPM | |
 | Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | |
 | Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8807353973388672
End: 0.8852477073669434