"Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio" by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn was released on October 2, 1995. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weber: Piano Concertos Nos. 1 and 2 / Polacca Brillante by Carl Maria von Weber. The song's track number on the album is #2 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze (Poco adagio) | Johannes Brahms, Quatuor Ébène | A♭ Major | 0 | 4B | 78 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Nocturne No. 17 In E Major | Benjamin Frith, John Field | E Major | 0 | 12B | 67 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM |
Section: 0.6606640815734863
End: 0.6645567417144775