Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa made "A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo" available on January 1, 1994. With this song being about 5 minutes long, at 4:47, "A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo" by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 2 out of 15. Based on our statistics, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
I Could Have Done More | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 102 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): II. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 66 BPM | ||
Swan Lake, Op.20, TH.12 / Act 1: No.4a Pas de trois: Intrada (Allegro) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 122 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": I. Adagio - Allegro | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
The Firebird Suite (1919 Version): Finale - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM |
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