"Das Lied von der Erde: Der Trunkene im Frühling" by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez was released on December 20, 2000. With this song being about 5 minutes long, at 4:36, "Das Lied von der Erde: Der Trunkene im Frühling" by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Violeta Urmana, Michael Schade, Wiener Philharmoniker, Pierre Boulez's "Mahler: Das Lied von der Erde" album is number 5 out of 6. In terms of popularity, Das Lied von der Erde: Der Trunkene im Frühling is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Lied von der Erde: Der Trunkene im Frühling by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entführung aus dem Serail, K. 384, Act II: Vivat Bacchus! Bacchus lebe! - Remastered 2024 | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Josef Krips, Peter Klein, Endre Koreh | B♭ Major | 1 | 6B | 96 BPM | ||
Symphony No. 40 In G Minor, K.550: 2. Andante | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | E♭ Major | 0 | 5B | 97 BPM | ||
Three Songs from William Shakespeare: Music to Hear | Igor Stravinsky, Ann Murray, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 124 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Blicket auf zum Retterblick | Gustav Mahler, Simon O'Neill, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 2 | 5B | 84 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Solche hergelaufne Laffen - Was bist du nur für ein Mensch! - Erst geköpft, dann gehangen - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Peter Klein, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Delirien, Walzer, Op. 212 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 97 BPM | ||
Mahler: Des Knaben Wunderhorn: No. 7, Rheinlegendchen | Gustav Mahler, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | E Major | 0 | 12B | 129 BPM |
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