"Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. The duration of Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam - Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Mariss Jansons | A Major | 1 | 11B | 136 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Concerto for Orchestra, Sz. 116: 3. Elegia (Andante, non troppo) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 80 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 102 BPM |
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