Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan made "Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese" available on January 1, 1996. The duration of Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #5. In terms of popularity, Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | C Minor | 0 | 5A | 83 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Canon and Gigue in D major - arr. Max Seiffert: 1. Canon | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 92 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
Rhapsodie espagnole, M. 54: II. Malagueña | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 97 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Tristan und Isolde: Act II: So sturben wir, um ungetrennt (Tristan, Isolde, Brangane) | Richard Wagner, Orchestra La Scala di Milano, Wolfgang Windgassen, Hilde Rössel Majdan, Birgit Nilsson, Herbert von Karajan | C Major | 1 | 8B | 69 BPM |
Section: 0.8562986850738525
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