Richard Wagner, Wiener Philharmoniker, Sir Georg Solti's 'Die Meistersinger von Nürnberg, WWV 96: Prelude' came out on January 1, 1976. Since Die Meistersinger von Nürnberg, WWV 96: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #1 out of 42 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Die Meistersinger von Nürnberg, WWV 96: Prelude is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96: Prelude by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, WWV 96: Prelude being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Faust Symphony, S.108: 2. Gretchen | Franz Liszt, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 1 | 8B | 80 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 2 | 1A | 110 BPM | ||
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM | ||
Hungarian Dance No.7 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 81 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM |
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