Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's 'Hary Janos Suite: Háry János Suite: V. Intermezzo' came out on October 1, 1990. With this song being about 5 minutes long, at 5:01, "Hary Janos Suite: Háry János Suite: V. Intermezzo" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 6 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Hary Janos Suite: Háry János Suite: V. Intermezzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hary Janos Suite: Háry János Suite: V. Intermezzo by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
L'Oiseau de feu, K010: IV. Danse de l’oiseau de feu | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 108 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Pacific 231 | Arthur Honegger, Neeme Järvi, Danish National Symphony Orchestra | B♭ Minor | 3 | 3A | 130 BPM | ||
Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 160 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM |
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