- BPM
- 135
- Key
- D Minor
- Camelot
- 7A
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" - Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus Information
- Acousticness
- 91%
- Danceability
- 41%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 47%
- Popularity
- 11%
- Loudness
- -15.491 dB
Summary
Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus made "Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"" available on January 1, 1985. The duration of Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" BPM
With Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" by Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmina Burana / II. In Taberna: "Ego sum abbas" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | |
 | Carmina Burana / 3. Cour d'amours: "Amor volat undique" | Carl Orff, Norma Burrowes, Southend Boys Choir, Royal Philharmonic Orchestra, Antal Doráti | G Major | 0 | 9B | 83 BPM | |
 | Zwei A Capella-Chöre, Carl Orff 1953 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | G Major | 1 | 9B | 117 BPM | |
 | Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | |
 | Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | |
 | Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Major | 3 | 7B | 86 BPM | |
 | L'Oiseau de feu, K010: IV. Danse de l’oiseau de feu | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 108 BPM | |
 | Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | |
 | Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz | Carl Orff, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | |
 | Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM |
- ISRC
- DEF058430822
- Label
- L-M Records/RCA Records
Section: 0.7663075923919678
End: 0.7700097560882568