"Carmina Burana / 3. Cour d'amours: "Amor volat undique"" by Carl Orff, Norma Burrowes, Southend Boys Choir, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #15. Carmina Burana / 3. Cour d'amours: "Amor volat undique" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 3. Cour d'amours: "Amor volat undique" by Carl Orff, Norma Burrowes, Southend Boys Choir, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai | Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo Muti | B♭ Major | 1 | 6B | 67 BPM | ||
Verdi- Messa Da Requiem- 1. Requiem - Original | Sir Georg Solti, Vienna Philharmonic Solti | A Major | 1 | 11B | 73 BPM | ||
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Minor | 2 | 11A | 75 BPM | ||
Cavalleria rusticana: "A voi tutti salute" | Pietro Mascagni, Luciano Pavarotti, Piero Cappuccilli, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | B Major | 1 | 1B | 69 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | D Major | 4 | 10B | 91 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Symphony No.2 in B minor: 3. Andante | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 135 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM |
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