Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo Muti's 'Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai' came out on August 2, 2013. The duration of Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai is about 3 minutes long, at 3:24. Based on our data, "Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 7 out of 214. Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai by Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo Muti to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Madama Butterfly / Act 2: Suzuki! Suzuki! Dove sei? | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.2 Duettino Figaro, Susanna "Se a caso madama" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | F Major | 1 | 7B | 128 BPM | ||
Così fan tutte, K. 588 / Act II: "Secondate, aurette amiche" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin, Vocalensemble Rastatt | E♭ Major | 0 | 5B | 81 BPM | ||
Così fan tutte, K.588, Act I: Sextetto. "Alla bella Despinetta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Julie Roset, Amitai Pati, Ashley Dixon Santelli, Milan Siljanov, Samuel Dale Johnson | G Major | 3 | 9B | 123 BPM |
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