"Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent"" by Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1992. Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 16 out of 40 in Debussy: Pelléas et Mélisande by Claude Debussy, Wiener Philharmoniker, Claudio Abbado. Based on our statistics, Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" by Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 120 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Great Mass in C Minor, K. 427 (417a): I. Kyrie - Andante Moderato | Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 86 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
Casse-noisette: Danse arabe | Wiener Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 108 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Die Walküre / Dritter Aufzug: "Hojotoho! Heiaha!" | Richard Wagner, Vera Schlosser, Berit Lindholm, Brigitte Fassbaender, Helen Watts, Helga Dernesch, Vera Little, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 143 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM |
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