Carmina Burana / III. Cour d'amours: "Tempus est iocundum"
Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum
Orff: Carmina Burana
2:09 January 1, 1988
BPM
138
Key
F♯ Major
Camelot
2B

Embed

Share Link

Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum Information

Acousticness
83%
Danceability
60%
Energy
71%
Instrumentalness
0%
Liveness
84%
Loudness
75%
Speechiness
11%
Valence
17%
Popularity
Loudness
-15.122 dB

Summary

"Carmina Burana / III. Cour d'amours: "Tempus est iocundum"" by Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum was released on January 1, 1988. The duration of Carmina Burana / III. Cour d'amours: "Tempus est iocundum" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Carmina Burana / III. Cour d'amours: "Tempus est iocundum"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / III. Cour d'amours: "Tempus est iocundum"'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Carmina Burana / III. Cour d'amours: "Tempus est iocundum" BPM

With Carmina Burana / III. Cour d'amours: "Tempus est iocundum" by Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Carmina Burana / III. Cour d'amours: "Tempus est iocundum" Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La bohème / Act 1: La bohème / Act 1: "Sì. Mi chiamano Mimì"Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von KarajanD Major110B83 BPM
Carmina Burana / 1. Primo vere: Carmina Burana / 1. Primo vere: "Ecce gratum"Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumB♭ Major46B139 BPM
Symphony No. 36 in C, K.425 - Symphony No. 36 in C, K.425 - "Linz": 4. Finale (Presto)Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Eugen JochumA Major011B75 BPM
Te Deum, WAB 45: 1. Te Deum laudamus by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollTe Deum, WAB 45: 1. Te Deum laudamusAnton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-GrollC Minor25A126 BPM
Carmina Burana Suite, Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern)John Krance, Carl Orff, Florida All-State Symphonic Band, Richard ClaryA Major211B143 BPM
Sweelinck Variations, Op. 56 Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 3. Energico (non troppo vivace)Karl Höller, Bavarian Radio Symphony Orchestra, Eugen JochumD Minor57A117 BPM
Das Rheingold / Erste Szene: Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!"Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg SoltiG Major29B97 BPM
Symphony No. 4 In B Flat, Op. 60: 3. Allegro vivace - 1954 recording by Ludwig van Beethoven, Berliner Philharmoniker, Eugen JochumSymphony No. 4 In B Flat, Op. 60: 3. Allegro vivace - 1954 recordingLudwig van Beethoven, Berliner Philharmoniker, Eugen JochumB♭ Major06B80 BPM
Messa di Gloria, Op.posth., Gloria: Gloria in excelsis Deo - Dominus Deus, rex coelestis by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio PappanoMessa di Gloria, Op.posth., Gloria: Gloria in excelsis Deo - Dominus Deus, rex coelestisGiacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio PappanoC Major18B135 BPM
Der Rosenkavalier, Op.59, TrV 227a, Sequences Of Waltzes: Second Sequence Of Waltzes by Richard Strauss, Berliner Philharmoniker, Eugen JochumDer Rosenkavalier, Op.59, TrV 227a, Sequences Of Waltzes: Second Sequence Of WaltzesRichard Strauss, Berliner Philharmoniker, Eugen JochumF Major27B62 BPM
ISRC
DEF056730125
Label
L-M Records/RCA Records

Section: 0.5878598690032959

End: 0.591238260269165