Te Deum, WAB 45: 1. Te Deum laudamus
Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll
Bruckner: Te Deum; Motetten; 150. Psalm
5:58 January 1, 1999
BPM
126
Key
C Minor
Camelot
5A

Embed

Share Link

Te Deum, WAB 45: 1. Te Deum laudamus - Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll Information

Acousticness
94%
Danceability
21%
Energy
22%
Instrumentalness
10%
Liveness
12%
Loudness
74%
Speechiness
4%
Valence
4%
Popularity
Loudness
-15.574 dB

Summary

"Te Deum, WAB 45: 1. Te Deum laudamus" by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll was released on January 1, 1999. Te Deum, WAB 45: 1. Te Deum laudamus is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 1 out of 16 in Bruckner: Te Deum; Motetten; 150. Psalm by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Richard Holm, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Bavarian Radio Chorus, Wolfgang Meyer, Hedwig Bilgram. Based on our statistics, Te Deum, WAB 45: 1. Te Deum laudamus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Te Deum, WAB 45: 1. Te Deum laudamus BPM

The tempo marking of Te Deum, WAB 45: 1. Te Deum laudamus by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Te Deum, WAB 45: 1. Te Deum laudamus Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Bohème / Act 2: La Bohème / Act 2: "Arranci, datteri!"Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von KarajanF Major57B108 BPM
Symphony No. 8, Erster Teil: IV. Gloria Patri Domino by Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John RelyeaSymphony No. 8, Erster Teil: IV. Gloria Patri DominoGustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John RelyeaE♭ Major55B152 BPM
Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: "Die Himmel erzählen die Ehre Gottes"Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener SingvereinC Major38B110 BPM
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust by Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoFidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche LustLudwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoB♭ Major06B100 BPM
Te Deum in C Major, WAB 45: 4. Salvum fac by Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerTe Deum in C Major, WAB 45: 4. Salvum facAnton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz RögnerF Minor04A68 BPM
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit by Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner PhilharmonikerBrahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun TraurigkeitJohannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner PhilharmonikerG Major09B100 BPM
Tosca / Act 3: Tosca / Act 3: "Come è lunga l'attesta!"Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von KarajanA Minor18A71 BPM
Carmina Burana / II. In Taberna: Carmina Burana / II. In Taberna: "Ego sum abbas"Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumB♭ Minor33A108 BPM
Libera me, WAB 21 by Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert JonesLibera me, WAB 21Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert JonesD Major010B133 BPM
Die Walkure: Act I Scene 3: O lass in Nahe zu dir mich neigen (Sieglinde) by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm FurtwänglerDie Walkure: Act I Scene 3: O lass in Nahe zu dir mich neigen (Sieglinde)Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm FurtwänglerC Major18B86 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9958913326263428

End: 0.99918532371521