"Tosca / Act 3: "Come è lunga l'attesta!"" by Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1980. The duration of Tosca / Act 3: "Come è lunga l'attesta!" is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Tosca / Act 3: "Come è lunga l'attesta!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: Tosca". In this album, this song's track order is #15. Tosca / Act 3: "Come è lunga l'attesta!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 3: "Come è lunga l'attesta!" by Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verklärte Nacht, Op. 4: IV. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (I) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 133 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
The Creatures of Prometheus, Op. 43: Overtura. Adagio - Allegro molto con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 95 BPM | ||
Eugene Onegin, Op. 24, TH. 5: Polonaise | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 106 BPM | ||
Intermezzo in modo classico (Version for Orchestra) | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 2 | 9B | 74 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 3 | 3A | 93 BPM |
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