Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan's 'Don Giovanni, ossia Il dissoluto punito, K.527: Overture' came out on January 1, 1986. Don Giovanni, ossia Il dissoluto punito, K.527: Overture is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Don Giovanni" album is number 1 out of 66. Based on our statistics, Don Giovanni, ossia Il dissoluto punito, K.527: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527: Overture by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Canzona - Voi, Che Sapete | Donato Di Stefano, Patrizia Pace, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Die Zauberflöte, K. 620: Act I No. 2: Arie - Der Vogelfanger bin ich ja | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 72 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 83 BPM | ||
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 8. Intermezzo | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 105 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Requiem In D Minor, K. 626: Communion: Lux Aeterna | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 89 BPM |
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