"Pictures at an Exhibition (Orch. Ravel): IV. Bydlo" by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel was released on December 2, 2016. The duration of Pictures at an Exhibition (Orch. Ravel): IV. Bydlo is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Pictures at an Exhibition (Orch. Ravel): IV. Bydlo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel, Pyotr Ilyich Tchaikovsky's "Mussorgsky: Pictures At An Exhibition" album is number 7 out of 17. In terms of popularity, Pictures at an Exhibition (Orch. Ravel): IV. Bydlo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): IV. Bydlo by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
El paso de Los Andes | Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A Minor | 0 | 8A | 81 BPM | ||
Khovanshchina: Dance of the Persian Slaves | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 0 | 9B | 82 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 74 BPM |
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