- BPM
- 84
- Key
- C Minor
- Camelot
- 5A
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) - Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner Information
- Acousticness
- 94%
- Danceability
- 26%
- Energy
- 13%
- Instrumentalness
- 43%
- Liveness
- 13%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 28%
- Loudness
- -18.432 dB
Summary
"Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)" by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner was released on February 4, 1988. Since Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Bruch: Violin Concerto No. 1 / Mendelssohn: Violin Concerto by Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) BPM
The tempo marking of Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | |
 | Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | |
 | Punto: Horn Concerto No. 5 in F Major: II. Adagio | Giovanni Punto, Barry Tuckwell | F Minor | 0 | 4A | 83 BPM | |
 | Mozart: Mass No. 15 in C Major, K. 317, "Coronation": VI. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Wolfgang Amadeus Mozart, Barbara Hendricks, Andrew Fowler-Watts, Edward Caswell, Hilary Brooks, Sir Neville Marriner, Academy of Saint-Martin-in-the-Fields | C Major | 0 | 8B | 100 BPM | |
 | Suppé: Dichter und Bauer: Overture (Andante maestoso - Allegro strepitoso) | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 78 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48: III. Elegie | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | D Major | 1 | 10B | 112 BPM | |
 | Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | |
 | Britten: Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | |
 | Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | C Major | 1 | 8B | 174 BPM | |
 | Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM |
- ISRC
- GBF078611271
- Label
- L-M Records/RCA Records
Section: 0.7086248397827148
End: 0.7120833396911621