"Symphonie fantastique, Op. 14: II. Un bal" by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding was released on August 26, 2016. Symphonie fantastique, Op. 14: II. Un bal is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 11 out of 14 in Berlioz: Symphonie fantastique: Rameau: Suite de Hippolyte et aricie by Swedish Radio Symphony Orchestra, Daniel Harding. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Symphonie fantastique, Op. 14: II. Un bal is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke: 2. Scherzo | Gustav Mahler, Wiener Philharmoniker, Daniel Harding | G Major | 1 | 9B | 99 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 2 | 10B | 105 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo | Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra | D♭ Major | 0 | 3B | 123 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Reverie et Caprice, Op. 8 | Hector Berlioz, Giovanni Radivo, Orchestre National De Lyon, Leonard Slatkin | A Major | 0 | 11B | 89 BPM |
Section: 0.6810512542724609
End: 0.68448805809021